Here come the jams, yo punks, guard your domes
It's the man with the mad new styles and funky poems
So strike one, strike two, strike three, you're out
Of luck, jack, fuck that, grab your nuts and shout
(ain't you the masta? ) yep, I've always been
And then, I'm a stab a fucking critic with his pen
So write that, put that in your magazine and stick it
I'm wicked, just like a witch when I kick it
So break out your charts and scales and try to rate me
Give me a one, son, yep I hope you hate me
Cause I'm a keep on bringing it, I'm swinging it
Sharp like glass til your punk ass is swinging it
Riff-raff, your whole damn staff I have to cut up
I drop bombs, I'm fatter than your moms, so what up?
I come from the planet of raps on, oh yeah
Beam me up steady, there's no skills down here
So there, you little punk sitting in your chair
Soon you're gonna know the score kids, I swear
(ain't you the masta? ) yep, I'm the masta (repeat 4x)
I hits you hard kids, you're barred from the mic and
Rhymes kick like pele, rough like a dyke and
Praise me, masta, off beat, the healer
Rap style's deisel like an 18-wheeler
So get that weak style out of my path
I'm turbo, I drop lines long like nostran ave.
So danger, I'm burning from monday to sunday
I'm hot like some niggas 10 deep in a hyndai
So make way, I drop mad heavy like the fridge
I'm sacking, you're wack and you're over like the bridge
This little rabbit tried to diss me, but fuck it
I got duckets, one day that rabbit kicks the bucket
You know (I know) you know (I know)
You know, you know, well yo follow where I go
Jane, stop this crazy thing if I sing
Some love shit and dress mad fly, I'd be the king
And be seen on the covers of like 27 books
But I'm too proud to beg, so suck this, you crooks
You're only as good as your last jam, it's true
Your shit's new, everybody wants an interview
But then, oh how quick they forget
With no hit, they like "who's that? " they full of shit
And straight up, my patience is starting to wear short
I'm gonna land blows like your head was an airport
Say cheese you theif, let me see your teeth
Cause I'm ultra-magnetic, magnetic like kool keith
So abra, cadabra, presto and change-o
The off-beat, on-beat style is kinda strange yo
It dops here, it drops there, it's off then it's on
To the breaka, to the breaka, to the breaka of umm dawn
Here I come with bones by the sack for
Spraypaint, I tage my f-ing name on your back, punk
(ain't you the masta? ) yep, I'm the masta (repeat 4x)
Masta Ace Incorporated was a Hip Hop crew formed by rapper Masta Ace. The group, also known as The I.N.C., included Eyceurokk (Eyce, Uneek and Rokkdiesel) Lord Digga, Paula Perry and R&B vocalist Leschea. Ace first gained notice in the rap world as a member of the legendary Juice Crew, and with the release of his acclaimed 1990 debut Take a Look Around, which featured an appearance from Eyceurokk. In 1992, Ace formed the I.N.C. crew and recorded their first group album, SlaughtaHouse, which was released in May 1993. Ace provided most all of the rapping, while Lord Digga served as the hype-man. Paula Perry rapped on the song "Who U Jackin'?", Leschea provided vocals for "Don't Fuck Around (Outro)", and Eyceurokk appeared on the tracks "Ain't U Da Masta" and "Saturday Nite Live". The album was highly acclaimed, but sold only moderately well. SlaughtaHouse featured a hidden bonus track, "Born to Roll", which became a huge hit in 1994, breaking into the Top 25 on the Billboard Hot 100 singles chart. Eyceurokk split from the crew after SlaughtaHouse, leaving the group to four members. In 1995, the crew released their second album, Sittin' On Chrome, which featured "Born to Roll", as well as two more Hot 100 hit singles, "The I.N.C. Ride" and "Sittin' on Chrome". The album, produced by Ace, Bluez Bruthas (Lord Digga and Witch Doctor) Uneek and Louie Vega, featured a sound Ace called "Brooklyn Bass Music". The album was also highly acclaimed, and sold better than SlaughtaHouse, but still wasn't able to push a strong amount of units. The crew split up in 1996, after Ace began having personal conflicts with Lord Digga and Paula Perry. Ace was largely missing from the scene until 2001, when he returned with his acclaimed solo album Disposable Arts. According to a 2006 interview on Prince Paul's XM Radio show, Ace stated that he and Lord Digga are finally speaking again, but Ace has yet to collaborate with either Digga or Paula Perry since the crew's break-up. However, he did work with Leschea on "Type I Hate" from his 2001 album, Disposable Arts and "Bklyn Masala" from his 2004 album, A Long Hot Summer.
La radio è morta? No. Ma non è più il cancello d'ingresso. Negli ultimi anni qualcosa è cambiato ? radicalmente. Canzoni sconosciute esplodono in pochi giorni. Artisti senza contratto discografico raccolgono milioni di stream. E le radio? Arrivano dopo, non prima. Il pubblico ha preso il controllo. Il potere dei video brevi: 15 secondi che cambiano tutto TikTok ha trasformato le regole del gioco musicale. Una melodia che dura meno di venti secondi può diventare il suono di un'intera estate. Nel 2023, oltre il 70% delle canzoni entrate nella Billboard Hot 100 aveva avuto un'origine virale su piattaforme social prima di ricevere attenzione radiofonica.
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La storica band mod torinese Statuto ristampa due classici della propria discografia, a partire da venerdì 13 febbraio saranno infatti disponibili per Sony Music gli album "Tempi Moderni" del 1997 e "Riskatto" del 1999. Il primo pubblicato originariamente nel 1997 torna oggi in versione doppio vinile 180 grammi e CD. "Tempi Moderni" contiene 12 canzoni in puro stile "brit e power pop" con ricchi arrangiamenti chitarristici e orchestrali, ammiccanti alle migliori produzioni di
